Alina Mozolevska

Fellow 2024/2025

Linguistics

Petro Mohyla Black Sea National University, Mykolaiv

Wissenschaftskolleg zu Berlin

alina.shkurat@gmail.com

Bio

Alina Mozolevska is an associate professor in the Faculty of Philology at Petro Mohyla Black Sea National University (Mykolaiv, Ukraine). In 2015, she earned her PhD in Linguistics, specializing in Romance languages, from Taras Shevchenko National University (Kyiv, Ukraine).

She has held research fellowships at the University of Reims Champagne-Ardenne (France, 2017) and the UniGR-Center for Border Studies at Saarland University (Germany, 2022). Mozolevska was also a visiting fellow of the VolkswagenStiftung at Saarland University (Germany, 2022–2023).

She is a member of the Prisma Ukraïna research group War, Migration, and Memory (Forum Transregionale Studien, Germany, since 2022) and the HEPP Research Group (University of Helsinki, Finland, since 2022). Currently, she is a VUIAS fellow at the Wissenschaftskolleg zu Berlin (Germany, 2024–2025).

Her research interests include media studies, discourse analysis, and border studies.

Discursive Power of Digital Culture in Times of Crisis: Russo-Ukrainian War and Its Symbolic Representations

The Russo-Ukrainian War is one of the first major conflicts of the 21st century to be shaped predominantly by emerging technologies – AI, AR, VR, digital media, and drones – which not only open up new avenues for documentation but also amplify the risks of propaganda and manipulation.

Digital media, saturated with visuals, has become a primary battlefield where wars are not only fought but also framed, interpreted, and remembered. Social media platforms, driven by algorithmic amplification, shape war narratives by privileging emotionally charged content and facilitating the rapid dissemination of diverse perspectives, testimonies, and propaganda. Conflicts now unfold “through a prism of personalized realities” and “war feeds” (Hoskins and Shchelin 2023), where the same event can be visualized and understood in radically different ways depending on ideological, political, or technological standpoints (Merrin and Hoskins 2024).

This project examines how digital visual imagery mediates the Russo-Ukrainian War, focusing on the role of visual narratives in shaping information warfare. Specifically, it explores how visual content – ai-imagery, cartoons, memes, posters, and other forms of digital art – functions as a tool of ideological influence and symbolic communication in Ukrainian and Russian social media. By analyzing the semiotic, ideological, and intertextual dimensions of these visual productions, the study seeks to uncover their discursive power in both societies and their impact on public perception.